Marijana CvetkovićThanks to the collaboration with Tisch School of the Arts from New York, this third programme cycle will have one more participant: Aniko Szucs, PhD student. She will join the seven participants selected through the open call.
This lecture will deal with the “critical writing” in the exhibition space, assuming that each exhibition presents a kind of “scripted space” generated through communication and socialization, sometimes a joint action – as the space of both the stage and the everyday life, or their mutual interconnection. We will look at the examples of experimental and alternative forms of exhibition practice, focusing on several “cases” of artistic and curatorial critical interventions performed in (post) Yugoslav space of the 1970s and now.
Critical practice (made in Yugoslavia): Cycle 2 Schedule of the gathering in Belgrade, 6 – 11 April 2015 6 April: arrival… 7 April: 11 a.m. – 1.30 p.m. introduction (presentation of the project / discussion about participants’ ideas, questions and plans / making a long-term work plan) 3 – 5 p.m. “An overview of the contemporary …
It is our pleasure to announce that by the 10th of February 2014 we received 80 applications for the first programme cycle of Critical practice (Made in Yu). The large number of applicants makes the project team happy and is at the same time taking more time to the jury than we expected. Therefore the …
This program is realised as an addition of Critical Practice - training for emerging dance writers, initiated within apap - FEMINIST FUTURES, a project co-founded by the Creative Programme of the European Union.