CALL FOR APPLICATIONS

Deadline: January 20, 2023
Emerging authors (writers, critics, researchers, theoreticians) and those interested in further professional development in the field of critical practice in contemporary performing arts can advance their writing and discussing skills within the Critical Practice (Made in Yugoslavia) programme.
Mentors of the programme: Ana Vujanović, Marijana Cvetković and Biljana Tanurovska-Kjulavkovski.

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(Co)thinking, (co)doing & ongoing (co)questioning: precarious story-sharing

Conference of Academies at PAF-Performing Arts Forum  (an encounter on politics and the relevant urgencies within the academic and professional performing arts field initiated by Kunsthøgskolen i Oslo) 28th September – 2nd October 2022, St Erme, France (Co)thinking, (co)doing & ongoing (co)questioning:  precarious story-sharing Anka Herbut, Elena Novakovits, Maša Radi Buh  (invited to PAF and …

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Con-texts: the curatorial, the lake, the writing bodies and bodies of water 

The Summer School was held in Struga in the south-western part of Northern Macedonia, where I have never been before. The context was new for me – as it was for all of us. After having spent the prequel few days in Skopje – a city touched with the monumentosis compulsion, I found this decentralizing decision to meet in Struga bold and tempting, and soon I also realized that it brought my thinking about curatorial practices down to earth, maybe even to the underlands of its mission, to the very context of where we are, what we can(not) give to the context, what we can(not) take from it, what temporalities we still keep in our bodies, and with who we would be shifting them in days to come.

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Beyond Present Future Feminisms

This text stems from the need to enter into a dialog with the Feminist Futures Festival that was held in Amiens and Lisbon in January this year. As one of five twin or tripled festivals happening between 2021 and 2024, each festival takes place in similar versions, one after the other in two different cities.

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PARTICIPANTS OF THE FOURTH PROGRAMME CYCLE (CP4)

Jette Büchsenschütz Jette Büchsenschütz is doing her doctorate at the Free University of Berlin on participatory performance formats and the concept of practice. Before that she studied Sinology and Dance Science in Berlin and Hangzhou. She published regularly in the online magazines gallerytalk.net and PW-Magazine. She is editor in the curatorial platform Montag Modus in …

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CALL FOR APPLICATIONS

Emerging authors (writers, critics, researchers, theoreticians) and those interested in further professional development in the field of critical practice in contemporary performing arts can advance their writing and discussing skills within the Critical Practice (Made in Yugoslavia) programme. Mentors of the programme: Ana Vujanović, Marijana Cvetković and Biljana Tanurovska-Kjulavkovski.

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On Dance as a Circumstance

Reflection on the Dance vs Circumstances symposium (Tanznacht Berlin, August 2016) by Ana Letunić In the context of rising precariousness in Berlin’s contemporary dance scene, as well as its influences on the production processes, it seemed only sensible to programme a symposium on working methods and production conditions as a part of the 9th Tanznacht …

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SCHEDULE OF THE GATHERING IN SKOPJE, 26 – 31 OCTOBER 2016

Critical practice (made in Yugoslavia): Cycle 3 Gathering in Skopje, at Platform(a), 26 – 31 October 2016   SCHEDULE  October 26 8 pm: Future read in concrete and stone (performance): Bojan Djordjev 9.45 pm: Critical Time: Critical Practice October 27 4 – 6 pm: Working session: Critical Practice (MKC) 8 pm: Empty Voice (performance): Per Art …

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