Participants of the fifth programme cycle (CP5)
Critical Practice (Made in Yu) – CP5 participants: Szymon Adamczak, Nefeli Gioti, Elena Rose Light, Ana Pinter, Myrto Sarma, Micha Tsouloukidse
CALL FOR APPLICATIONS
Deadline: January 20, 2023
Emerging authors (writers, critics, researchers, theoreticians) and those interested in further professional development in the field of critical practice in contemporary performing arts can advance their writing and discussing skills within the Critical Practice (Made in Yugoslavia) programme.
Mentors of the programme: Ana Vujanović, Marijana Cvetković and Biljana Tanurovska-Kjulavkovski.
(Co)thinking, (co)doing & ongoing (co)questioning: precarious story-sharing
Conference of Academies at PAF-Performing Arts Forum (an encounter on politics and the relevant urgencies within the academic and professional performing arts field initiated by Kunsthøgskolen i Oslo) 28th September – 2nd October 2022, St Erme, France (Co)thinking, (co)doing & ongoing (co)questioning: precarious story-sharing Anka Herbut, Elena Novakovits, Maša Radi Buh (invited to PAF and …
Con-texts: the curatorial, the lake, the writing bodies and bodies of water
The Summer School was held in Struga in the south-western part of Northern Macedonia, where I have never been before. The context was new for me – as it was for all of us. After having spent the prequel few days in Skopje – a city touched with the monumentosis compulsion, I found this decentralizing decision to meet in Struga bold and tempting, and soon I also realized that it brought my thinking about curatorial practices down to earth, maybe even to the underlands of its mission, to the very context of where we are, what we can(not) give to the context, what we can(not) take from it, what temporalities we still keep in our bodies, and with who we would be shifting them in days to come.
Beyond Present Future Feminisms
This text stems from the need to enter into a dialog with the Feminist Futures Festival that was held in Amiens and Lisbon in January this year. As one of five twin or tripled festivals happening between 2021 and 2024, each festival takes place in similar versions, one after the other in two different cities.
Critical Practice (Made in Yu) at the Feminist Futures Festival in Amiens and Lisbon
La Maison de la Culture d’Amiens and Teatro Nacional D. Maria II have teamed up in an exceptional way to organize the Feminist Futures Festival, a unique venture shared between Lisbon and Amiens from January 17 to 29, 2022. This festival is part of the Feminist Futures project by the apap network. The participants of …
Critical Practice (Made in Yu) / SEMINAR 2021
Conceived and led by Ana Vujanović
December 13 – 17, 2021
PARTICIPANTS OF THE FOURTH PROGRAMME CYCLE (CP4)
Critical Practice (Made in Yu) – CP4 participants: Jette Büchsenschütz, Anka Herbut, Fergus Johnson, Elena Novakovits, Maša Radi Buh, Kasia Wolinska
CALL FOR APPLICATIONS
Emerging authors (writers, critics, researchers, theoreticians) and those interested in further professional development in the field of critical practice in contemporary performing arts can advance their writing and discussing skills within the Critical Practice (Made in Yugoslavia) programme. Mentors of the programme: Ana Vujanović, Marijana Cvetković and Biljana Tanurovska-Kjulavkovski.
On Dance as a Circumstance
Reflection on the Dance vs Circumstances symposium (Tanznacht Berlin, August 2016) by Ana Letunić In the context of rising precariousness in Berlin’s contemporary dance scene, as well as its influences on the production processes, it seemed only sensible to programme a symposium on working methods and production conditions as a part of the 9th Tanznacht …
