CP3_Reader (2016): Contents Agamben, Giorgio (2011). “Toward a Theory of Destituent Potential“. in The Use of Bodies. Stanford Uni Press: Stanford CA. Badiou, Alain (2004). “Dance as a metaphor for thought“, in Handbook of Inaesthetics. Stanford Uni Press: Stanford CA. Bohm, David (1989). “Meaning and Information“. in Pylkkanen, Paavo (ed.), The Search for Meaning – …
As part of Critical Practice_Made in Yu on Locomotion 8 festival, we organized critical reflections on the program of the festival. Conversations were part of radio streaming of the project of Macedonian artist Gjorgje Jovanovik – Radio Slobodno Skopje (Radio Free Skopje) https://www.facebook.com/events/1673469136273385/ https://www.mixcloud.com/gjorgje-jovanovik/ Ana Vujanovic in conversation with Shir Hacham and Aisling Marks …
Contents: Ahmed, Sara (2007). A phenomenology of whiteness. Feminist Theory, 8: 149. http://www.rainbow-season.org/wp-content/uploads/2012/07/Feminist_Theory-2007-Ahmed-149-68.pdf Etchells, Tim (2012). Alphabet of Festivals. http://www.timetchells.com/notebook/february-2012/alphabet-of-festivals/ Garcia, Tristan (2014). Arts and Rules. In Form and Object: A Treatise on Things, Edinburgh UP. Lacan, Jacques (1992). The Object and the Thing. In VII seminar: The ethics of psychoanalysis, Routledge: New York & …
This program is realised as an addition of Critical Practice - training for emerging dance writers, initiated within apap - FEMINIST FUTURES, a project co-founded by the Creative Programme of the European Union.