This text stems from the need to enter into a dialog with the Feminist Futures Festival that was held in Amiens and Lisbon in January this year. As one of five twin or tripled festivals happening between 2021 and 2024, each festival takes place in similar versions, one after the other in two different cities.
Reflection on the Dance vs Circumstances symposium (Tanznacht Berlin, August 2016) by Ana Letunić In the context of rising precariousness in Berlin’s contemporary dance scene, as well as its influences on the production processes, it seemed only sensible to programme a symposium on working methods and production conditions as a part of the 9th Tanznacht …
At the festival I have a back pain because of the uncomfortable bed with the too big pillow. At the festival I work in rooms that smell of years of smoking. At the festival I stand outside of the theatre because my friends are smoking. At the festival I stand outside of the theatre because …
Note to the reader This dictionary is a tool for sharing cultural workers` experiences of invisible work. We call “invisible” the work that takes up a significant part of our daily routine, however without being acknowledged as “actual” work. This dictionary particularly focuses on activities that are, on the one hand, essential for our “official” …
Thinking with Sequel for the Future / a Dance in 2043 / a Dance in 2044 By Shir Hacham and Livia Andrea Piazza In common language, irony and cynicism might be perceived as similar registers. Yet, according to Franco Bifo Berardi, the origin of this equivalence is to be found in late modernity, when the …
As part of Critical Practice_Made in Yu on Locomotion 8 festival, we organized critical reflections on the program of the festival. Conversations were part of radio streaming of the project of Macedonian artist Gjorgje Jovanovik – Radio Slobodno Skopje (Radio Free Skopje) https://www.facebook.com/events/1673469136273385/ https://www.mixcloud.com/gjorgje-jovanovik/ Ana Vujanovic in conversation with Shir Hacham and Aisling Marks …
* The text was initially written in two colors: Gibanica 2015_A Joint Critical Diary This is what we proposed to Mojca Zupančič, producer of the seventh edition of Gibanica (MOVING CAKE) – Biennial of Slovenian Contemporary Dance Art when we invited ourselves to the festival as critics: We would like to accompany the festival by …
This program is realised as an addition of Critical Practice - training for emerging dance writers, initiated within apap - FEMINIST FUTURES, a project co-founded by the Creative Programme of the European Union.
© 2023 Critical Practice - Made in YU | Powered by NetworkFailure