The list of the applicants who are selected for the second round: Richard Aslan Alexandra Balona Ana Dinger Nassia Fourtouni Inge Gappmaier Aleksandar Georgiev Nina Gojic Jorge Gosalves Ana Letunic Milisava Petkovic Thomas Schaupp Ellen Söderhult Mateusz Szymanówka The names are listed in alphabetical order. Skype interviews with selected applicants will take place on 6 …
Critical Practice (Made in Yugoslavia) Mentor: Ana Vujanovic Deadline: January 18, 2016 Emerging authors (writers, critics, researchers, theoreticians) and those interested in further professional development in the field of critical practice in contemporary performing arts can advance their writing and discussing skills within the Critical Practice (Made in Yugoslavia). This Critical Practice edition draws on …
As part of Critical Practice_Made in Yu on Locomotion 8 festival, we organized critical reflections on the program of the festival. Conversations were part of radio streaming of the project of Macedonian artist Gjorgje Jovanovik – Radio Slobodno Skopje (Radio Free Skopje) https://www.facebook.com/events/1673469136273385/ https://www.mixcloud.com/gjorgje-jovanovik/ Ana Vujanovic in conversation with Shir Hacham and Aisling Marks …
Focus of the gathering: LocoMotion #8 Festival for contemporary dance and performance Skopje, 24 – 26 October Saturday 24.10.2015 10:00-12:00 Critical Practice program: Presentation of the festival and local scene in Skopje, by Biljana Tanurovska Kjulavkovski internal working session 20:00 STREAMLINED/ Authorship & performance: Igor Koruga/ @YCC Sunday 25.10.2015 10:00-14:00 Critical Practice program: internal working session 20:00 -das marionette- : …
* The text was initially written in two colors: Gibanica 2015_A Joint Critical Diary This is what we proposed to Mojca Zupančič, producer of the seventh edition of Gibanica (MOVING CAKE) – Biennial of Slovenian Contemporary Dance Art when we invited ourselves to the festival as critics: We would like to accompany the festival by …
This lecture will deal with the “critical writing” in the exhibition space, assuming that each exhibition presents a kind of “scripted space” generated through communication and socialization, sometimes a joint action – as the space of both the stage and the everyday life, or their mutual interconnection. We will look at the examples of experimental and alternative forms of exhibition practice, focusing on several “cases” of artistic and curatorial critical interventions performed in (post) Yugoslav space of the 1970s and now.
Critical practice (made in Yugoslavia): Cycle 2 Schedule of the gathering in Belgrade, 6 – 11 April 2015 6 April: arrival… 7 April: 11 a.m. – 1.30 p.m. introduction (presentation of the project / discussion about participants’ ideas, questions and plans / making a long-term work plan) 3 – 5 p.m. “An overview of the contemporary …
Contents: Ahmed, Sara (2007). A phenomenology of whiteness. Feminist Theory, 8: 149. http://www.rainbow-season.org/wp-content/uploads/2012/07/Feminist_Theory-2007-Ahmed-149-68.pdf Etchells, Tim (2012). Alphabet of Festivals. http://www.timetchells.com/notebook/february-2012/alphabet-of-festivals/ Garcia, Tristan (2014). Arts and Rules. In Form and Object: A Treatise on Things, Edinburgh UP. Lacan, Jacques (1992). The Object and the Thing. In VII seminar: The ethics of psychoanalysis, Routledge: New York & …
The schedule of gatherings and group work structures, within the second programme cycle (April 2015 – April 2016)* Belgrade, 6 – 11 April 2015 programme focus: a seminar & reading group with Ana Vujanović 7 – 10 April host: Marijana Cvetković of Station Service for contemporary dance Skopje, 23 October – 27 October …
The jury selected following applicants to be participants of the second programme cycle of Critical practice (Made in Yugoslavia): Ida Daniel (Bulgaria) Kristof Farkas (Hungary) Shir Hacham (Israel) Livia Andrea Piazza (Italy / Germany) Aisling Marks (UK / Netherlands) Stina Nyrberg (Sweden) Ana Schnabl (Slovenia) The names are listed in alphabetical order. /// An explanation …
This program is realised as an addition of Critical Practice - training for emerging dance writers, initiated within apap - FEMINIST FUTURES, a project co-founded by the Creative Programme of the European Union.
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